|
Blain Brown
²{¾ ¬O¤@¦ì¦b¬ü°ê¬¥§üÁFµo®i¨Æ·~¶W¹L26¦~ªºÄá¼v®v¡B½s¼@¡B¾Éºt¡A¤]¬O¦h³¡¼@±¡¤ù¡B¼s§i¤ù¡B¬ö¿ý¤ù¡BMVªºÄá¼v«ü¾É¡B¾Éºt¡B»s¤ù»P½s¼@¡A¦¨´N¾î¸ó©Ò¦³Ãþ«¬ªº¼v¹³»s§@»â°ì¡C
µÛ§@ Cinematography Theory & Practice for Cinematographers & Directors Motion Picture and Video Lighting The Filmmaker's Guide to Digital Imaging for Cinematographers, Digital Imaging Technicians, and Camera Assistants
|
¡°Ä¶ªÌ²¤¶
¹ùéù»a
¹ùéù»a ²{¾¡G °ê¥ß»OÆWÃÀ³N¤j¾Ç¼s¼½¹qµø¾Ç¨t±M¥ô§U²z±Ð±Â ¾Ç¾ú¡G ¯Ã¬ù²z¤u¾Ç°|ÃÀ³NºÓ¤h¡]New York Institute of Technology, Master of Arts¡^ °ê¥ßÃÀ±M¹q¼v¬ì²¦·~ ¸g¾ú¡G °ê¥ß¬Fªv¤j¾Ç¶Ç¼½¾Ç°|°ª¯Å¦æ¬F¯µ®Ñ ¥È®N¤j¾Ç·s»D¾Ç¨t±M¥ôÁ¿®v ¬Fªv¤j¾Ç¼s¼½¹qµø¾Ç¨tº[·s»D¾Ç¨t¡B¥@·s¤j¾Ç·s»D¾Ç¨tÝ¥ôÁ¿®v °ê¥ß»OÆWÃÀ³N¤j¾Ç³Ç¥X®Õ¤Í »Oµø·s»D³¡»s¼½¤¤¤ß¸ê²`¤T¯Å½s¾É »Oµø·s»D³¡¡BÅé¨|³¡±Ä³X¤¤¤ßÄá¼v°OªÌ µÛ§@¡G ¶ø¹B¹êªpÂ༽¤uµ{§Þ³N²`«×¬ã¨s¡G¥H2000¦~³·±ù¶ø¹B¬°¨Ò µêÀÀÄá¼v´×ì²z»P¹ê°È¡]¦XµÛ¡^ EDIUS§¹¥þ§ð²¤¡]¦XµÛ¡^ Ķ§@¡G ¼v¹³»s§@¡G¹qµø¡B¹q¼v»P·s´CÅ餺®e²£»s Äá¼v®vµ§°O¡GÄá¼v³Ð§@¤Wªº66°ó½Ò ¥Îµøı¤¸¯À»¡¬G¨Æ ¼v¹³»s§@ ¼Æ¦ì¼v¤ù»s§@ ¼vµø½s¼@°ò¦ ¼vµøÄá¼v»Pºc¹Ï ©ç¹q¼v ²{¥N¼v¹³»s§@±Ðµ{¡]²Åé¦rª©¡^ ¼f©w¡G §¤¤W¾Éºt´È¡G¾Éºt¥²¾Çªº»¡¬G¨Æ¤è¦¡»P¦¨¥\¤âªk ¼vµø¤Æ§©³y«¬¤â¥U
|
²Ä¤@³¹ ¥Î°Ê§@¨Ó»¡¬G¨Æ ²Ä¤G³¹ µøı»y¨¥ ²Ä¤T³¹ ÃèÀY»y¨¥ ²Ä¥|³¹ µøı±Ô¨Æ ²Ä¤³¹ ¤ÀÃè»P³sÀ¸ ²Ä¤»³¹ ¦â±m ²Ä¤C³¹ Äá¼v¾÷»P·P¥ú¤¸¥ó ²Ä¤K³¹ ´ú¶q ²Ä¤E³¹ Ãn¥ú ²Ä¤Q³¹ ½u©Ê¤ÏÀ³¡B¤¤¶¡È¡Blog ²Ä¤Q¤@³¹ ¼v¹³±±¨î»P½Õ¥ú½Õ¦â ²Ä¤Q¤G³¹ ¿O¨ã ²Ä¤Q¤T³¹ ¥´¥ú°ò¥»§Þ³N ²Ä¤Q¥|³¹ ¥ú¾Ç»P¹ïµJ ²Ä¤Q¤³¹ Äá¼v¾÷²¾°Ê ²Ä¤Q¤»³¹ ©çÄá²{³õ¹ê°È ²Ä¤Q¤C³¹ ¯À§÷¸ê®ÆºÞ²z ²Ä¤Q¤K³¹ §Þ³N½×z °Ñ¦Ò®Ñ¥Ø ¯Á¤Þ ªþ¿ý ¼v¤ù³W®æ
|
|